Three Poems by Osahon Oka

Open wounds

You come, your softness, a well pounded yam, 
catching sunlight from the universe between 
each moment of lift & thud–pestle in the mouth 
of mortar, your feet on this carefree earth. 
Laba-laba fluttering from afar, you parade with 
the evening breeze, quickly tasting the last blossom 
of sunset, the dew enriched night time friendly, calling, 
seducing you into the gentle light that peeps through 
the window gauze–a curtain hiding wounds–your 
father pushing your mother deeper into her place–a 
worn, scratched, stained, dark space echoing still with 
stifled screams, shushed tears & careful speech. 
You wander the edge of light, your fingers uncurling 
wings under the porch, your eyes travelling from the 
dance of your hands in the shadows to the distant 
places you have dreamed of, believed in.

You gather those gossamer flights & they sail you into 
the quiet tragedy of a still bleeding sore–your father 
swallowing his pounded yam, your mother seated with her 
wild eyes, demure, supple–a well used mattress, & gentle–a 
freshly caught rose in love’s bitter tasting kiss. 
Your music stops, your wings gather the dust from your 
mother’s gaze, falls as you try to flee, at least within your 
dreams; you try to become a mote, at least a pretend speck 
of dust, until you hear him say your name & you combust 
into an older inferno in order to help her unsay silence. 
All that is left of the cackle & sparks is the smouldering hurt 
& anger your mother pushes into your mouth, the war 
ravaged room, the massacre of silence in your father’s quiet 
eyes & the partisan neighbours carrying their voices through 
the window, curtains parted, wounds torn wide open.

 

There is poetry after laundry

after this–the sky, blue, lacking clouds, the rain swept yard; 
after cleaning the sink, taking the trash to the back, 
avoiding the chain link fence folded like a cobra near 
the door; after the posse of laughter & the solitude 
of agony; after searching for the phone charger, the 
television too loud for thought, standing at the entrance, 
unsure why you are there, watching how the sun slays 
your body with light sharper than the butcher knife 
at the corner of the kitchen counter, still bloody 
with murder; after the exegesis of devotion & you 
are asked, why are you so humble & you reply; 
humble? I’m tired, very tired, just waiting to expire; 
after the exercises & your tendons hurt & midlife
crisis is still as real as it was last night when you saw 
your midriff poking buttons, you & your partner 
running at each other never arriving quick enough 
to say I love you; after finding demise is a man with 
no grudge, a hunger for putrefaction; after the clothes 
pile up & you can no longer pick socks smelling of 
damp feet from the edge of the rug; after the anxiety, 
after the ordinary tragedy of watching the seven o’clock 
news; after understanding all the ways to stay unseen, 
the fond songs of morning; after writing the first line 
before the long white silent space, the metaphors: a womb 
bearing the sea, a music of sand & scraped soles, the 
fleeting savour of separation–bodies separating from 
cloth & leave takings, the sudden flowering of the divine
–a pale green shoot breaking earth, the gruesome trauma 
of shush; after tearing up all the drafts & swearing that 
you know nothing else to do but die; after learning that 
with things all gods are possible–there is poetry.

These small pleasures are all I ask.

These small pleasures–cheap beer, balmy nights 
filled with bounteous stars; trees still green, 
weaving leaves, the night yielding & fleeting on skin; 
conversations–laughter & music–also tender, always sad; 
weed rolled taut, smoked long; rivers clambering 
over wild flowers & pebbles green with algae to greet the shore; 
sea foam nodding cocked bottles & fishing trawlers 
back home; a fine-looking negro woman walking bold, light 
in her eyes–fireflies by the window of her soul; swallows 
on the garret tripping on duets; sand, sudden & white 
under soles; stories of vague places & people who rise, 
who fall; adoring a black body back into dawn with soft sighs 
& hands tangled within braids & beard; hot baths 
scalding skin, a bike ride on an open street, hands 
spread–the freedom of the cross; pineapple, cold, ripe, 
rhyming with tongue & spit, gullet & teeth; poetry 
written in murky moments, without fear, too much pain; 
prayer said & meant in the silence of church, painted glass 
burning light, dust motes rising like sacrifice, pigeons 
cooing in the rafters, me & God forlorn; clouds carrying 
the faces of all the deities, rainfall on a weekend; sleep
that never wakes, without dreams, without hope; countryside 
transiting fast, hiding hell, illusory heaven–are all I ask.


Osahon Oka is a Nigerian writer. He lives and works in Benin City, Edo state. His writings are on several literary spaces both online and offline. His debut, a collection of short stories, is forthcoming on Praxis Books.